Portland Art Museum in Portland, Oregon.Philadelphia Museum of Art in Philadelphia.Museum of Photographic Arts in San Diego.Museo Nacional De Antropologia in Mexico City.Montclair Art Museum in Montclair, N.J.Hudson River Park Trust in New York City.Columbus Museum of Art in Columbus, Ohio.Bechtler Museum of Modern Art in Charlotte, N.C.Bayerische Staatsgemäldesammlungen München in Munich.This paper conservation project was funded by a 2018 grant from The Bank of America to the Columbus Museum of Art, one of the twenty-one collecting institutions receiving this support that year: The Legion of Honor in San Francisco presents Marvelous Menagerie: A Roman Mosaic from Lod, Israel, Exhibition open April 23 to July 24, 2011. Bank Of America Conservation Project Grants in 1990 and this museum has been among its most long-term and most active of its clients. The two conservators continued work for the museum after the founding of McKay Lodge Conservation Laboratory, Inc. The Columbus Museum of Art was one of the original museum members of ICA. Gina McKay along with Robert Lodge, the founders of McKay Lodge Conservation Laboratory, have provided conservation to the collections of the Columbus Museum of Art for approximately 37 years, initially as conservators at the Intermuseum Conservation Laboratory of the Intermuseum Conservation Association (ICA). The grant-funded project involved examinations and treatments of four prints by Jan van de Velde, and one each by Albrecht Durer (Nuremburg, Germany 1471-1528), Lucas van Leyden (Leiden, Netherlands 1494-1533), Rembrandt van Rijn (Leiden & Amsterdam, Netherlands 1606-1669, and Jusepe de Ribera (Xativa, Spain & Naples, Italy 1591-1652). In the video one can see paper conservation work in progress.Ĭonservator Gina McKay performs a paper mend under a stereo-microscope The broadcast segment includes Columbus Museum of Art’s executive director Nannette Maciejunes presenting the context of the exhibition and the conservation work and senior paper conservator Gina McKay explaining various methods used in the paper conservation treatments for various conditions. Many of the prints from the Thomas Ewing French Collection, which was the single largest print donation and bequest in Columbus Museum of Art’s (CMA’s) history.
Includes etchings by Rembrandt van Rijn, Francisco de Goya and Anthony van Dyck, among others. The segment presents behind-the-scenes paper conservation work on eight of the twenty-one prints conserved for the Columbus Museum’s exhibition ‘A New Look at Old Masters.” A New Look At Old Masters: European Prints From The Permanent CollectionĪ n exhibition of some 21 newly conserved, re-matted and re-framed prints by European Old Masters. The broadcast segment, the middle segment of three segments of the program “Broad & High” can be viewed below. The show was broadcast on Thursday Decemat 8:00 PM and repeated on Sunday Decemand 9:30 AM. The show’s title “Broad & High” is named after the two main intersecting streets in downtown Columbus, Ohio adjacent to Capitol Square and the Ohio Statehouse. at The Ohio Conservation Center in Oberlin, Ohio. The conservation work was performed by Gina McKay, Senior Paper Conservator at McKay Lodge Conservation Laboratory, Inc. The museum positions itself as an open meeting place, a place for critical and creative thinking, for wonderment and development, for reflection and dialogue. PARCUM addresses issues of identity and creates new forms and contents to alleviate social tensions, for instance, by focusing on questions about interreligiousness and interculturalism, citizenship and personal development.Paper conservation of eight Old Master prints from the collection of the Columbus Museum of Art was recently featured in a broadcast by WOSU Public Media Television of Columbus, Ohio. With this approach, PARCUM desires to stimulate engagement in visitors of various philosophical and cultural backgrounds. Attention is paid in particular to the significance of these themes and this heritage in today's multi-religious and superdiverse society. As a museum for dialogue, PARCUM deliberately focuses on the interaction between contemporary (global) themes and religious heritage, between believers and non-believers, between different denominations and philosophies, between young people and the elderly. PARCUM offers temporary thematic exhibitions at the crossroads of religion, art and culture, often based around never shown before heritage from churches, abbeys and monasteries.
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